In 1973, newly-hired Philadelphia Orchestra violinist Davyd
Booth was called to sub for an ill colleague on a tour to China. This was not
just any tour. It was the first ever American symphony tour in Communist China.
China, which had been closed off to the world since 1949,
was not a very known entity—“like going to Mars,” Davyd said. (See post one.)
Davyd remembered this landing “on Mars,” as if it were
yesterday. “Especially when compared to today, China was absolutely
primitive. In Beijing, which we now see
as an enormous, enormous city—there was still a lot of farm country. And there
were very few buildings, especially no tall skyscrapers.
“I mean now it’s almost incredibly overwhelmingly massive
and huge. The city (of Beijing back
then) was full of farmers. And there were no automobiles except what was given
to the government people…
“I never saw so many bicycles in my life. It wasn’t like
hundreds of thousands. It was like a million bicycles. At certain times of the
day there would be nothing but this unbelievable sea of bicycles.
"Everybody dressed alike." Photo WSJ |
“The other thing is everybody—they all dressed alike. The
same color. The Mao coats. There was this cap that they wore. Everything was
the same color. Everyone’s hair style-whether they were male or female—was
pretty much the same, the same length. It was so different at that time from
anything you could possibly imagine, especially coming from this side of the
world.”
Davyd was impressed by the vastly different way of life, but
also by the sheer size of the country. During down-times, they were given a
tour of the Great Wall and the surrounding areas of Beijing and Shanghai. “I
think everybody was struck by just the size and scope of the country, even at
that time when it was still not anywhere remotely as developed as it is today.”
Maestro Ormandy on tour of Great Wall. |
(To be continued. Next: Landing on the Cultural Revolution.)
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