In 1973, newly-hired Philadelphia Orchestra violinist Davyd Booth was called to sub for an ill colleague on a tour to China. This was not just any tour. It was the first ever American symphony tour in Communist China.
China, which had been closed off to the world since 1949, was not a very known entity—“like going to Mars,” Davyd said.(See post one.)
They were surprised by the audience’s reaction, which seemed
strained. (see post six.)
Despite the tepid public response, that '73 Tour is
credited with igniting a fire of enthusiasm for classical music in China.
“One of the things that we hear about even to this day is
that a lot of the concerts were broadcast, sometimes out into the workers
fields," said Davyd. It is legend that in one of these fields a young boy toiled in the rice paddies…and was so inspired by the music, he vowed to become a professional musician.
That boy--Tan Dun-- has since become one of the world’s greatest composers, creating the music for the Beijing Olympics, earning an Oscar for his score for Crouching Tiger, Hidden Dragon, and currently acting as artistic director for the Philadelphia Orchestra.
Tan Dun receives Oscar, 2001 |
“So I mean you hear stories like that," said Davyd. "—Sometimes you think, 'Oh the China trip is real great. This is my job.' And then you suddenly
realize that the thing that you’re doing and the experience that you have can
affect people so incredibly, strongly, deeply. In such a life-changing way.”
(To be continued. Next: China One of Biggest Markets for Classical.)
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